big acid burner!

vor über 35 jahren entschied sich phil collins dazu, sich neben seiner rolle als genesis-sänger auch als solokünstler zu versuchen. mit großem erfolg: jedes seiner acht alben landete gleich in mehreren ländern in den top ten der charts, viele sogar auf platz eins.
mit der reihe »take a look at me now« veröffentlicht der britische sänger jetzt alle acht soloalben seiner karriere erneut, und zwar als deluxe editions - remastert und auf audiophilem 180 gramm vinal gepresst. den anfang macht – wie sollte es anders sein – collins debüt: »face value«.

on soma ep warszaw based duo mech installs four tracks in the cryptic reduced style of thomas brinkmann’s max/ernst series. the guys deliver an audio work production on resopal that hovers among forms such as techno, minimalism, and ambient. on all four tracks the elements are limited but the output bounces and rattles within - moving and exploring into more experimental zones of minimalism like plastikman, brinkmann, or former mille plateaux. a damn solid four tracker whether you know the math or not.

heard on “melancholia” are interpretations of honzo’s subconscious visions of life. the intense compositions are made up of drones, noises and distorted beats moving in and out of the frame. on opener “orientalism” said elements blend with hi-hat brushes, brassy synth pads, sci-fi noises and distant human voices evoking islam’s “adhan” (call to prayer). the theme contemplates over alienation caused by western accounts of “orientalism”, soaked in “hüzün” (the turkish term for melancholia). on a2 a rework of “moral masochism” is provided by the mysterious shadows outfit, starting with a distorted guitar over a slow and gritty rhythmic backbone which gradually turns into a chaotic high-intensity acid jam on the ep’s most dance floor suitable cut. on the flipside, “lovesickness” presents a broken kick rhythm periodically flipped by toms and accompanied by a disorienting hi-hat rhythm, ghostly strings and sporadic human moans – all resulting in a tribal mood, recalling a ceremony, perhaps a quest for a saviour from the blue temper? b2 presents the “moral masochism” original. again a distorted guitar plays over a slow rhythm, but compared to the remix, the original’s intensity is introverted, contemplating over melancholia’s effect of deriving gratification from self-inflicted moral humiliation. ambient closer “emptiness” explores a cold state with such an encapsulating airiness that it feels like a close account of another person’s mood down to the impression of their breath. arpeggiated synth noises appear from a distance representing increasing pressure from the outside world without ever suppressing the state of mind. as a result, “emptiness” sums up the state of melancholia experienced as a mood rather than the effect of a cause.

the frosts of finland are blasted away by the radiate synthesizer sunlight of surf dancer! rich analogue textures are supported by surf dancer s love of the vocoder, computer-spoken lyrics twirling amidst addictive melodies and clean-cut beats. sweet notes and even sweeter words swirl in this world of ray guns, unicorns and of course rainbows. strings soar skyward in the elation of -rainbow man- before the sleek funk of -rocket in my pocket-. joy pours from the needle drop, instant happiness and body moving music from start to finish, the end coming in the xylophonic goodness of future in the night-.

optimos prolific dj/producer/label boss jd twitch aka keith mcivor has curated a compilation of early 80s synth, industrial and cold wave classics and undiscovered gems in collaboration with the vinyl factory, following the cease & desist diy! (cult classics from the post-punk era 1978-82) compilation on his own optimo music label, and youth stand up!, a collaborative recording project featuring young musicians from glasgow, ghana and belize on his autonomous africa imprint.

lady blacktronika shows two totally different sides to her character with her return to bass culture via a potent ep full of deliciously dark, bass-heavy productions placed side by side with more soulful explorations of the house sound. following the ‘all in vain’ ep, which landed earlier this year, lady blacktronika comes correct once again with a collection of four of the finest quality cuts. our introduction to the ep is a thorough dip in the deep end of tech house, with the marauding ‘it rains’. full of darkness, the venomous track stomps along with a powerful, darkside bassline and razor-sharp percussion. high-pitched keys add to the malevolent flavour of this raw cut. after that, we get a more measured, yet mysterious and unsettling slice of minimal funk. ‘no good’ is a hypnotic trip inside lady blacktronika’s murky world with snarling synth lines, clever percussion, eerie fx and a naughty little b-line. on the flip we have retro-inspired ‘call my name’, with a very old school feel as the 808 gets a proper workout in tandem with a familiar female spoken-word vocal layered over the top. this is bound to send the dance floor into uproar with its killer vocal sample. finally ‘set out your luv’ gives the ep a heady ending, light airy pads are placed alongside a grooving bassline, soulful vocals, diamond-cut beats and squelchy effects to create a lush, dreamy soundscape which will get those hips moving….

its been just over a year since cale sexton emerged out of melbourne s suburban sprawl into the centre of its thriving club scene, in which time the sets he s delivered from behind a nest of wires and hardware have gained recognition as some of melbourne s most compelling and sought after. moving across a vast terrain of reference points, sexton constructs dense soundscapes held together by tight programming, all of this culminating in the powerful live delivery hes become known for. these four songs mark an impressive debut ep, and the second release on melbourne imprint temporal cast.

its a great pleasure to welcome back waze & odyssey to the label, since their first please dont dance ep on dirt crew wich was released in early 2013 and that featured an excellent detroit swindl remix botht duos have had a massive rise and impact on the underground house scene worldwide. waze & odyssey have also had killer releases on their own imprint w&o street tracks and with their latest on the downlow single they stormed the dancefloors and major radio playlists. waze & odyssey is best know for their straight up bangin’ house cutz and with these two tracks you get exactly that! go go go is a filterred house banger that takes us back to the early chicago and french house productions from the mid 90s. on the other side of this fine 10 the deeper and more electrofied we go home delivers some nasty breakdowns and with its manic pitched and ascending lead sound it should shake and stir your brain to get your feet moving for sure. pure dance floor action with these two new waze & odyssey tracks!

us-singer/songwriter jeb loy nichols, ex-mitglied der fellow travellers und compiler der kultserie country got soul, veröffentlicht mit mitgliedern von dub syndicate und roots radics ein reggae-album auf on-u sound, produziert von adrian sherwood. das album erschien bereits 2010 in limitierter auflage in japan, wurde aber jetzt komplett neu abgemischt. die cd-auflage enthält zudem 11 bonustracks bzw. versionen, die auf der lp als download-code beigefügt sind. nashville meets kingston oder lee hazlewood meets the wailers oder johnny cash meets horace andy. the high priest fo country cool. rolliing stone

with a select few pieces of hardware, najera sculpts a deep house landscape all his own, where bass-lines peak and high hats fall in and out of time, stumbling, but always moving forward. from the early evening cocktail to the early morning sunrise.

oliver ho, producer of textural techno/noise music has collaborated with danny passarella, clothes designer and producer of cinematic synth explorations to create multi. coming in four parts, it is an exploration of gender and growth, moving between the superficially binary genders, creating new identities through this process.

part 1/2 of his amazing album. intelligent communication. since 1967, astronomers have been receiving and cataloging very precisely timed radio pulses coming from sources they call pulsars. they have long assumed these to be natural sources, exotic spinning stars that emit laser-like radio beams that sweep through space much like lighthouse signal sequences. highly regular flashes and complex signal ordering are produced through intelligent modulation of their beam s intensity and direction of polarization. more significantly, through their seemingly purposeful geometrical alignments, pulsars appear to be conveying a coherent message. are these beacons from an intelligent origin? and are they warning beacons to warn us against the next shockwave that comes of the active galactic nucleus ore want they attack us? it might be prudent to consider whether we are talking about friends or foes.....mike storm.

underlying form is a new vinyl only label run by northern irish dj/promoter darren allen. the first release, a debut for darren, sets the tone for the labels future with 4 tracks of deep and abstract minimal techno on the invisible landscape ep

the cyovac machine is held together by a team of like minded artists that work to move production forward. cryovac functions to preserve the soundcraft of thees artists into the vinyl format. cryovac vinyl is pressed by a.garcia at archer record press in detroit. the cryovac operates to push music that represents the soul of its maker. sierra sam and pascal hetzel bring the smooth techno feel of berlin and an analog savvy to fist side of cryovac #14. they combine for two minimal machine soul bangers that zone your mind and move your body. spam burrito is the creation of a.garcia and kieth kemp. this combination rocks out choice wavs that have been tweeked to perfection under the rising and falling of effects. dave powers choses the low key emotional path of ever an evolving synth moving an intelligent knock. the 14th edition of cryovac is a must hear.

after a brief hiatus, brouqade makes its return with a brand new release from fernando costantini. exploring a different side of himself, his debut ep features two solid grooves perfect for different moments of the night. to start, * plusieurs zip* conjures up a deep minimalistic groove-taking us on a floor-minded tour of peak time percussion, abstract vox, and subtle acid bass-lines. intelligently designed snares keep the track moving along with spontaneity and subtle surprise.
flipping to the b side, * something different* is a slow builder that effortlessly pulls you in with rising pads, sweeping percussion, and a rolling bass line to warm you up for those cold winter nights.

after some time of successful clubnights sd is moving to the next level and takes the first step of journey to bring to surface music and share its sound. the sd label is now a reality. for the first release unc is taking the lead as original mix. it is a 2-track ep, consisting of the original by unc and a remix by sleeparchive. 43v3r. if we were to choose a color it would be black with bits and pieces of gold. yet, uplifting, the kind of thing you need to stimulate body and mind, wake up the senses, the desire to cherish the moment and surrender to the sound. sleeparchive s interpretation comes to enhance the beat leaving his personal stigma in a delicate manner

new minuendo various artists, after years ago deymare & satore are back. finnish artist deymare show with two deep fresh tracks called meditation and rise. satore publish one track called moving soul sounds like raw and american. welcome japanese yusuke yamamoto with a track called my house

q3a is a new alias of route 8, a producer who has credits on labels like lobster theremin and nous as well as black venison. now the producer serves up a sumptuous four track ep, space chamber, on the delsin label and it touches on many different styles with equally great results. lost souls is first and is an expansive bit of well driven deep house with rich synths and cavernous innards that really suck you in. next up is another serenely crafted bit of atmospheric house with dusty drums and lose hits all backed with heavenly pads and retro bass. the first of the b-side tracks is a chunky acid kicker with angelic vocals drifting up top as a controlled 303 line rips up the foreground. spaced out and deep, driving yet emotive, it is a moving bit of club music before the b2 trips you out on a silvery electro tip with its icy lines and slap-funk snares. overall, this is an expansive and perfectly formed ep and comes with a sleeve by boris tellegen.

immersed in the early days of the 90s midwest rave scene, bill converse began djing at a young age in lansing, michigan. luminaries such as claude young, traxx, and twonz were key early influences. since moving to texas in 1998, he has experimented with analog techniques in varied studio bunkers. early techno, noise, ambient, tape, and paranormal processing are all part of his uncanny sound palette.

cuartero has only been producing since 2011, but in just a few short years he has established himself as a global player in the house world. his dj sets are compelling things full of dynamic grooves, and his bulky, robust productions are just as stand out. they come on labels like desolat, hot creations and knee deep in sound, and always make any floor a sweaty, intense place full of free-moving bodies.

velvet records proudly presents « v003 », a four-tracks long overview and celebration of the contemporary electronic music scene. together, the artists featured on the french label s first compilation present an audacious look at the depth and span of the scene while also moving the form forward into bold new shapes. touching on expansive deep techno and minimal house, this compilation is made up off exclusively produced and previously unreleased music from ekomine, yaroslav lenzyak, leopol and damien k. sahri, capturing the essence of the current chapter of these genres, hinting at the shape of those to come. french producer ekomine is the first to hit the road with « ramble », a solid sweet-sour blend of atmospheric sounds leading the listener to find himself gently trapped into an unpredictable deep-space diving journey. this is where ukrainian artist yaroslav lenzyak and acolyte rata come in with « cellar door ». no constellations here, but the substantive claustrophobic tale of a spectral entity slowly catching your doppelgänger in the twilight hours. an angel flies and we re suddenly entering the sensitive world of « joy misery » from parisian early analog machines enthusiast leopol, who invites wandering souls to a dance-oriented and delicate voodoo ritual before passing the torch to berlin-based producer damien k. sahri s « travel marvel » which confers the record a multi-ethnic dimension, kindly whiplashing bodies with a mixture of unavoidable pulsations.

the now well established and widely respected will & ink label hits release number eight with a debut collaborative effort from yaleesa hall and malin genie. they serve up three tracks after having both released individually on this label before. with forceful grooves, earth moving kick drums, well swung wood block hits and watery pads, this is perfect warehouse music once again from the will & ink label

4 friends who rather be early than l8te. mechatok is the man. 18 years old, relatively new in the game, he is delivering on a level we didnt even know was existing before we got to check out his stuff. moving effordlessly between contemporary pop aesthetics, video game soundtrack and dubstep influences he produces music that could work as a score to the nasa end-of-the-year resume commercial but also gets your local dancefloor into new spheres. this of course is only one interpretation it could also be normal musik in some better place, we suggest you go there and stay as long as you can.

william has been an intriguing presence in sydneys music scene for over ten years, performing and releasing under several monikers including most recently, t.morimoto. as a producer and teacher he has inspired the work of artists such as seekae, cliques and cassius select. his ep annum contra is a diverse collection of percussive approaches and rhythmic studies that sees william moving in a dance floor friendly direction - whilst maintaining the idiosyncratic style he is known for. annum contra also features a handful of guests including lamtech9 and kid kairo

thick silence and a return.
statement breach. feet moving.

scottish party crew jelly roll soul (responsible for giving the likes of kyle hall, specter, funkineven & jay daniel their scottish debuts) celebrate their 5th birthday by getting in to the record game. their first release comes from london based scot, sirrahttam with the out there house wanderings of his tanz ep.

norwegian producer stian gjevik returns with his third full length album as cn with the derelict. the sequel to his 2011 concept album the expedition beyond (wil-ru records), the derelict unravels a new chapter in the story of a space traveller wandering the galaxy in his starship only to crash-land on a foreign planet and encounter new lifeforms. the shuffle of crisp airy high hats and punchy robotic rhythms lay down the framework for cn s signature cosmic sound. beautiful hardware based electronic sounds paint a colorful soundscape with blissful arpeggios and soothing washed out synth pads over groovy moving bass-lines, creating lush atmospheric listen that is as chill as it is suitable for the dance foor. ten new tracks of highly melodic motivating braindance music to get utterly lost in... this limited edition lp features cover art by adam burke and design by eric adrian lee. limited to 500 copies from weme and wil-ru records.

reissues of tommy vicari jnr.s most wanted >club shaker<. 76-79 was one of his early aliases. >57 hertz< saw his first light as whitlelabel in 2003. dj honesty aka honeydrop shakes it even more up for pure dancefloorfun. the vibration white finger remix, of the originator himself, gives it another depth. fresh tracks. lovely basslines to keep your crowd moving on.

to anyone with even a passing interest in the weirder end of good-time party-ready house music, freaks should need little introduction. luke solomon and justin harris have been keeping our preferred kind of dancefloor vibrating to the cheekiest manifestations of house music since the mid 90s, never letting up and moving in the same oscillations as the good ship circus company.

bristol based julian smith aka october returns to skudge records with the full length black body radiation. sounding like the soundtrack for a long lost dystopic anime movie. action packed, intense, fast-moving. body music from the future.

winter 2015 is here and drumcode continues to release the hottest new tracks that make waves within the techno community. releasing tracks from artists such as adam beyer, alan fitzpatrick, joseph capriati, maceo plex, luigi madonna, ida engberg, joel mull, sam paganini, harvey mckay and dubspeeka.
moving into the latter stage of 2015, drumcode are keeping up the refined techno that they have displayed and are making sure that they continue to keep up this form throughout heading into 2016. steve rachmad is a name familiar to everyone within the electronic music scene. he has been a big part of the scene for over two decades and boasts a whole host of records and shows.
he has been remixed by the likes of ricardo villalobos, joris voorn and more. rachmad is now hosting his own studio 80 based club night kis where he plays mesmerising extended sets. steve rachmad is welcomed to the vinyl-only offshoot drumcode limited. disturbance is a punchy little number that has a stuttering synth that rises over the top of the pounding kick drum. steps takes it up a notch with a simplistic bleep pattern that modulates throughout that is awash with a throbbing undercurrent.

house is oks seventh instalment goes kraut with a three tracker from chris beiswenger formally known as tcb (the citizens band). since the split up of arto mwambe, chris has been slowly building a sound of his own. instead of sticking to standard templates he has gone deep into modular synthesis and his music can be described as futuristic, kindred and cerebral. labels such as live at robert johnson, tasteful nudes and story already recognised tcbs unique twist and rather happy songs is just another proof of his unquestionable quality. these three mid-tempo techno ballads will get your mind moving and spirit floating while your body will fall in instant trance dancing to these highly hypnotising pieces. a remix from roman flu?gel on top makes the ep a 100% frankfurt affair and when it comes to house and techno, we frankfurters take our green sauce serious, dont we? cheers, hiok team

this is the first record on slow motion’s sister label, wrong era. wrong era takes the name from our monthly berlin party and has a focus on international artists who are dealing in all things electronic and discoid. the first release comes courtesy of kruton aka milo smee (bintus, power vacuum), who brings four tracks of mechanical funk and tweaking disco. included in the package is his remix of friction by gold blood, a track that has long been a secret weapon for a few select dj’s. there are also three brand new original tracks of heavy ebm jams that are guaranteed to keep dance floors moving all night long. wrong era arrives in a physical format with a bang!

sistrum looks outward for release #25, summoning the talents of bacanito, giovanni randisi and tazz under their 12 to 30 moniker. the orchestral dimensions ep is a welcome addition to the sistrum catalog, sitting comfortably within the sonic palette of the label whilst offering a unique take on deep electronic music. raw, authentic, underground sounds to keep the sistrum tradition moving ever-forward…

finale sessions is excited about this release from knoxville, tennessee artist alex falk. he has been on our radar for some time now so we are pleased to share this with you! the a1 track -an ever- is one of our favorite tracks on the ep, with dreamy pads and monstrous stabs making for a fantastic floor-stomper. rounding out the a side is rrecs, a deep techno cut with clattering chords and moving drums and claps. b1 track what is free is another solid peak time killer with thick stabs and cut-up vocals making for a perfect finale sessions release. finally, br56 brings up the tempo while chilling out the vibe with dubbed-out chords, nasty filter work and a sound floating somewhere between techno and house.

la nature malade brings along a brand new album of analog electronics for 2015 from a well known uk producer operating under a new alias, aquariun. eden and after is a 9 track album on a limited hand numbered pro dubbed blood red cassette in an edition of 100 worldwide. crossing styles and opening with the sub aquatic funk of title track side one takes you through banging electro on energy in constitution, the dark dub techno of to the letter of my oath and leaves you disappearing through a black hole on the path of helium rain. on side two a slice of dark, heavy instrumental hip hop gets things started with where is that perception? next we get into some straight 4/4 club techno with cut up drums and bumping baseline of mi dominante before moving through some blissed out detroit vibes on earth looking inwards, aliens talking through fm synthesis on collected stills and finally closing out on a rough as you like tr606 driven electro groover. look out for more to come from aquariun in 2016.

nice price deal !!! aaacid003 is the second ep from amir alexander s richie ratchet moniker. the major difference in the work of richie and his twin brother jack ingoff is the clever use of vocals. singlehandedly writing new chapter in the acid house manual with off kilter polyrhythms, odd time signatures, and unconventional tongue and cheek topics, amir through his aaacid label continues to go from strength to strength as he seeks to refine and progress the artform of acid jack. field tested, all 4 of these tracks have been putting in work world wide and moving dancefloors to a sweaty frenzy in the process. just an prolific artist expressing himself, having fun, and adding something unique to the culture. modern acid for forward thinking underground heads.

through the spirit realm is refracteds first lp to date, and it comes canadas excellent silent season, a home to rasmus hedlund, quantec, and asc, among others. enter the jungle quickly gives a picture of what s to come thanks to the track s abstract blend of animal sounds, a myriad of noises which is swallowed up the warm and dubby swings of the jungle is thick, a donato dozzy kinda lick. the whole lp follows a similar string of thought, one that binds stripped back techno together with deep ambience and slow moving plates of drone, the ritual begins is simply hypnotic and we could keep it on for hours on loop. its tribalism at its most cutting-edge, and an altogether fantastic debut performance from this growing techno personality.

ontals work excites many conflicting emotions. exuberant, convoluted and theatrical plots define the watchwords attached to the serbian duo. they represent one of the most paradigmatic examples of how industrial/techno can still offer a wide range of pleasant surprises. a visceral understanding of the scenic rhythm space vs. void establishes a metamorphic composition in short of an almost baroque sensitivity. always moving around an unstable fringe of intuition-rules-over-eclecticism, together with an attitude of total irreverence against the old aphorism, but keeping at the same time an incredible discipline of sophistication, produce a situation where anything touched by them have to be immediately placed at the top of the evolution line of the electronic music. “pietà” simply shows this feeling at their best.

the fourth studio album „in the beginning“ by the critically acclaimed live band marbert rocel from leipzig. a place far away from everything, yet right around the corner. a vision close enough to touch, yet so far away. surrounded by keys, hatches, pots and small fragmented parts, marbert rocel lie down, discuss and dance through the winter of 2015. in this environment, in their studio in leipzig, the band ties together the songs, which first saw the light of day in a small spot enclosed by woods in the summer of 2014. ?each decision goes through every head, each chord is listened to a hundred times, from font to back and in reverse, each compromise: a triumph for the common cause. not pompoous string arrangements fuel this album with grandeur, but rather the notion of a consensual nod, which has evolved within marbert rocel over the years. ?“in the beginning” is the fourth album by marbert rocel, a living utopia and a tart kiss for every purist genre lover. nothing is hewn raw on here, rather sculptured delicately. percussion is tickling from synth pads like dew, and the songs welcome you like good friends. like tinkerbell, spunks voice guides through this strange familiar world, moving past big feelings and small gestures, to finally lead to where it all started: “in the beginning”.

already moving forward towards the 5th addition to their catalog within barely one year of existence. the rotterdam-based self reflektion imprint continues to expand their crew presenting a four-track sampler with music from the likes of logotech (manifesto/it), hiroaki iizuka (them/jp), remco beekwilder (self reflektion/nl) and lenson (paling trax/nl) - each showing their own perspective in techno music. from the trippy hypnotic *the 6th door* to the overwhelming *the circle* on the a-side, and from the straight banging *fraud* to the destroy everything attitude on *envy cross*, this release is just a small example of what is yet to come from this young label.
early support by dave clarke, tripeo, marcel dettmann, cleric, truss, truncate, mtd, zadig, dax j, stranger, len faki, nx1 among others.

vactrol park is an honest outpouring of thematic obsession, a celebration of championed studio components and the mastery of their nuance, an avant garde collaboration between kyle martin (land of light, spectral empire) and guido zen (gamers in exile, brain machine). simply entitled i (the first of a 2 part series), this debut ep opens the door to a world of ebb and flow, layers of oscillation falling in and out of sync, keeping us on the brink of vertigo and, as cliché as it may sound, we find solace in its chaos. this homogeneous release plays with the notions of systems as beautifully symbolized mario hugo s capsule of cardiologyyet another visually arresting module in the esp institute catalogue. some music is made for drugs, some is made on drugs, these tracks simply are drugs.

keeping the concept of a tight knit family of artists, up next on sol asylum is the follow up ep for the dilated pupils titled introducing remi. this collective of likeminded artists from the netherlands return to the label with a solid four-track ep that shows their range and diversity as producers. moving full speed ahead we start off with “remi at 21.16” a track that instantly hypnotizes you on the dance floor with its echoing harmonic synths and a complex metallic snare pattern. the track is a slow burner that explodes when the dirty analog kick, swinging bassline, and filtered percussion melt into an atomic fusion. next we take it to the next level with “do” its underwater bubbling percussion, bleeping stabs and eerie synth take us to the far off corners of space with just enough acid to keep our heads down and grooving to the strobe light in a dark room. as we move into fall with “october times” a tightly woven groove and galloping kicks push us into more experimental territory with soaring vintage synths that create tension and finesse at the same time. finally we finishing things off with the esoteric vibes of “suque” this deep and dirty track channels the positive force from another realm, which is the perfect match for the inspiriting concept of sol asylum.

hudd traxx 3rd installment of their 10th anniversary series comes from eddie leader, hector moralez, washerman, brett johnson & rhythm plate.

mastered by daddy kev
full sleeve artwork, designed by the pressure
limited to 500 copies worldwide.

bleep are proud to release the debut ep of a mysterious producer named zap francis. these beats first aired on black milk’s boiler room set about a year ago but other than that, not much is known about zap francis.

alan fitzpatrick makes a triumphant return to the scene-leading imprint this august. the typically bombastic three-tracker of explosive, crowd-moving techno opens with love siren packed with all the power and punch required to knock over festival crowds as it systematically builds and drops, this is one for the big open air stages. ‘u said u is a massively hyped track that has been the subject of huge fan-demand since it first featured on beyer s drumcode radio in january. rumours wraps things up in slightly more understated but non-the-less effective fashion with its drawn out, tension building intro mushrooming into a crescendo of sleazy chords and sparking melodies

this music encompasses two worlds, lives in between territories - between techno and noise, the far end of a darkened club and a dreaming mind’s afterthoughts. very earthly and deeply rooted, it sometimes appears fragmented, full of sonic embroideries, full of sonic dirt, even. like two universes colliding, imploding one on the other, giving birth to a new space, without boundaries or restraints. something to dance to, on a spaceship. sergie rezza is the musical meeting of romain poncet and dj deep.

the new disclosure album as double 12 inch vinyl in gatefold sleeve with download code included.